Posts Tagged With: paintframe

Spring week 2…

It’s looking like week two here in the design realisation workshops; scenic art associated studies is taking place in the paintshop with first year students from other pathways getting their first taste of what it’s like to do scenic art here at the Guildhall School.  They are learning all about a variety of scenic art techniques ranging from creating textures, to wood graining…and a whole lot in between! What is interesting in the paintshop at the moment is that in addition to the associated studies bricks, which have been created using a brick template and artex, the paintshop is full of vacformed brick flats for the upcoming opera Pinocchio which the team are painting.  The effect for the opera is slightly different in that the bricks are much darker with a black base coat and layers of earthy colours dry-brushed and sponged on top.  They are going to have a dark wash on them as a final process which always makes such a difference with the bricks- tieing all of the colours together, ageing and adding depth.  I think you’ll agree they are looking really impressive…and huge now that they are put together and on the paintframe (thanks to construction!). 

Speaking of the construction team, they have been hard at work too; working on the rest of the set for Pinocchio.  Here they are making the Blue Fairy’s house flat, which involves working out and cutting quite a few angles.  The set design by Dick Bird is a fascinating one so over the next couple of week we should see some very interesting pieces being made.

The props department are also cracking on, tackling the vast amount of props for the opera.  As usual in props there are a lot of things going on at once and every time I walk through it’s all moved on three or four steps but here’s what I caught when I had my camera; the wig for Pinocchio being sculpted, masks in progress, puppets being sewn and drapes being measured…

Well as usual by the time I’ve written this and uploaded the photos the guys here in design realisation have moved onto something else so I’ll try to get more shots near the end of week.  Don’t go anywhere…

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It must be musical time…

Now that this term’s opera Owen Wingrave has opened, the design realisation department have turned all their attention to this year’s musical which takes place at the end of our summer term.  This year, the musical is Rags and as you’d expect from a Guildhall School musical, it’s going to be quite spectacle!

The whole of the technical theatre department have their work cut out for them over the next couple of weeks and for the design realisation team, this means building and painting all of the scenery and props.  As you’d expect, the department are working full-on realising Susannah Henry’s design.  Here’s just a snippet of what’s been going on in the scenic workshop and the paintshop…

The construction team have been ‘stepping up’ (couldn’t resist!) their game this week building a series of treads for the musical.  There are 6 full sets of treads on stage, three pairs of various sizes which have been expertly constructed by the team with a woodgrain finish added by the scenic art department.  They also have a stone-like effect  which creeps up the treads; added after the woodgrain.  Here are some shots of the treads being made and painted…

Another element of the set that has been made and painted this week is the Yiddish Proscenium.  As you can see from the pictures, the pros is a dusky pink with ornate gold detail added.  The whole thing is aged with some dirty washes and a dark spray which really gives it some character.  This piece of scenery is a real collaborated effort from the design realisation department as the proscenium itself has been built by the construction team and painted by the scenic artists with the swags being made by the props department.  I’ll be sure to get some shots of the finished set piece during fit-up next week.

The scenic art team have also been busy working on one of the cloths for the musical.  The huge New York skyline cloth has an interesting brick effect around the edge which you can see has been started here.  One of the challenges of this cloth which makes it different to many of the cloths we paint here at the Guildhall School is that it has to be backlit.  Because of this, we are using a filled cloth which is left unprimed.  This means that we can build up several layers of paint on the areas of the cloth that needs to be more opaque and use thinner washes of colour for the sky which will need to be more translucent so that when lit from behind, the light can shine through.  The cloth has been split into grids to allow the team to easily pinpoint which part of the reference they are working on, which is standard practice for a cloth such as this.  The skyline itself has been projected onto the cloth to get the outline, which will then have the details such as the windows drawn in later.  Here is where we are up to…

Well I think you’ll agree that we have been busy this last week.  Next week is going to be even busier; there’s plenty more set to build and paint before the fit-up starts, plus we start another cloth on the paintframe this week; the harlequin cloth so I’ll be sure to get some more photos of both cloths taking shape.  Some very interesting props are being made in the props department too; there are some carts, flags and a gramophone for the musical, as well as a defibrillator for Opera Scenes.  Photos to follow…get ready for a busy week ahead…

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